Monday, July 28, 2014

A Golden Age DC 52?

Could DC have supported 52 titles in the Golden Age?  I took a look at 1943. Why 1943?  Because DC’s period of innovation was largely over by 1943 (not a lot of new characters after that), plus Kirby was there in 1943.

In 1943, DC titles per month fluctuated wildly between 8-18 titles.  Those titles, 20 in all, were:

Action Comics
Adventure Comics
All-American Comics
All-Star Comics
Boy Commandos
Comic Cavalcade
Detective Comics
Flash Comics
Green Lantern
Leading Comics
More Fun Comics
Mutt & Jeff
Picture Stories from the Bible
Sensation Comics
Star Spangled Comics
Wonder Woman
World’s Finest

So who else would need to get their own titles?  If you took 3 more characters from each of the anthology titles and gave them their own titles, you’d get 50. To choose who, I went by cover appearances, then whoever most often had the first story in the book (who didn’t already have their own title).

Air Wave
Bart Regan, Spy
Black Pirate
Crimson Avenger
Doctor Fate
Doctor Mid-Nite
Gay Ghost
Ghost Patrol (Haunted Tank)
Green Arrow
Hop Harrigan
Johnny Thunder
Mr. America
Mr. Terrific
Newsboy Legion
Penniless Palmer
Red, White, and Blue
Shining Knight
Star-Spangled Kid
Three Aces

So we would need two more. Who gets to make the cut? Out of who’s left from their stable of characters, I’d give it Manhunter and Slam Bradley as most worthy.

So what would these stories look like?  Solo titles were usually 4 stories of 13 pages each. Let’s make them a bit closer to modern length and make them 3 stories of 17 pages each.  The anthologies would be 6 stories, averaging 9 pages per story. Let’s make that 3 stories of 15 pages each, with a fourth story that would be only 9 pages long.

Back then, most story arcs would be complete in 13 pages.  Nowadays, story arcs usually play out over 6 issues to fit trade paperbacks. Let’s compromise on this too and say story arcs could stretch across no more than 5 stories per 2 issues.

Lastly, what would the anthology titles look like? The most popular characters should continue to get extra exposure, while ensuring that the characters without their own titles are not forgotten.

Action Comics – Superman, Vigilante, Mr. America (3 Aces gets the short story)
Adventure Comics – Sandman, Hourman, Genius Jones (Mike Gibbs gets the short story)
All-American Comics – Green Lantern, Atom, Sargon (Hop Harrigan gets the short story)
Comic Cavalcade – Flash, Green Lantern, Wonder Woman (Red, White, and Blue gets the short story)
Detective Comics – Batman, Boy Commandos, Crimson Avenger (Bart Regan, Spy gets the short story)
Flash Comics – Flash, Hawkman, Johnny Thunder (Ghost Patrol – Haunted Tank gets the short story)
More Fun Comics – Green Arrow, Johnny Quick, Spectre (Radio Squad gets the short story)
Sensation Comics – Wonder Woman, Gay Ghost, Little Boy Blue (Black Pirates gets the short story)
Star Spangled Comics – Tarantula, Liberty Belle, Robotman (Penniless Palmer gets the short story)
World’s Finest Comics – Superman, Batman, Drafty (Martin of the Marines gets the short story)

Sunday, July 13, 2014

Top 10 ....and 10 Worst Comic Books from Free Comic Book Day 2014

It took me a long time to get through my stack of new comic books this year! The reason was that I had some extra money for a change this year so Megan and I went through the bargain bins at Keith's Komix and bought a whole bunch more. So not everything on this list were Free Comic Book Day comics, but they were bought on Free Comic Book Day, so I'm including them!

With that explanation out of the way, the top 10 were...

10. Magicka #0. This new company called Red Giant Entertainment put out a lot of free comics this year to plug their new product line. Some of them were 'eh', some of them came close to making it onto the top 10 list, but this one is the one that made it. Magicka is a cute, fun, family-friendly fantasy. There's one very funny page about apple ogres. But what really got it onto the top 10 list was the pretty, painting-like artwork. If Magicka can maintain this level of quality, I'll have to look for it again. (Magicka was also a flip book with another new book called The First Daughter, but I wasn't as impressed with that.)

9. Teenage Mutant Ninja Turtles: New Animated Adventurers. It seems like Archie just tried this reboot only a few years ago, but now IDW is giving it a try. The story is funny, clever, and memorable. The art is good and dynamic, though not what I'd consider exceptional.

8. Hourman #19. I don't have a lot of issues of DC's attempt to reinvent Hourman for the 1990s as a time-controlling android. Normally what I like best about him is his crossover potential with the JSA, but they barely appear here (despite being prominently on the cover). What I do like a lot is how the mystery villain cleverly manipulates all of Hourman's surprisingly large supporting cast into turning on him. I did not like what happened to Snapper Carr at the end, but Hourman can control time, so I'm sure it got undone eventually.
7. Marvel Adventures: Giant-Size Avengers #1. I liked -- not loved, but liked, Marvel's canceled continuity-lite, family-friendly Marvel Adventures imprint. I love the Avengers (normally; it bothers me that the Marvel Adventures version has X-Men mixed in on the team). I like the Agents of Atlas, who clash with the Avengers in this story. I like Kang, who arranges the clash. I like how all the characters are handled, though Kang is defeated much too quickly (to wrap up the story in one issue). Plus Leonard Kirk artwork. Plus a bonus reprint of the first appearance of Namora!  I would have rated this higher had the first appearance of Namora not been such a letdown.

6. Howard Chaykin's Amerikan Flagg! #12. I've never owned an Amerikan Flagg issue before. I probably wouldn't have liked most of them. From what I know of Chaykin, he's too dark and cynical for my tastes, but this isn't Chaykin's original Flagg series, but a limited series revival from First Comics back in '89. John Moore writes a fun comic romp that wraps up ....whatever had been going on and apparently gives Flagg a happy ending with his girlfriend. I do like happy endings!

5.   Uncle Scrooge and Donald Duck: A Matter of Some Gravity. Don Rosa doing the ducks, plus Magica De Spell?  All that's missing is the Duck Tales theme song!  Huge fun!  For free?  Thank you, Fantagraphics!

4. [Untitled Image Comics 20th Anniversary Sampler]. How did this sampler with 4-page outtakes rank so high? It isn't for the cliche "Guarding the Globe", or 'Invincible with More Superheroes'.  It isn't for the boring "Crime and Terror".  It isn't for "Revival", which is both too gruesome and too derivative of similar TV shows. It isn't for "It-Girl and the Atomics", though that was pretty decent (and reminded me of one of my favorite webcomics, Superhero Girl). It isn't for "Near Death", a well-written crime procedural told from the point of view of a ...bounty hunter? The outtake is too brief to be clear on that. It was well-executed, but not exciting. No, what excited me was to see that Chris Giarrrusso's G-Man -- a world where Peanuts-like characters are superheroes -- is not only still around but on its third volume already! I thought I'd seen the last of it after volume one and now I have so much catching up to do!

3. [Untitled Dark Horse Comics Sampler]. A 10-page complete story about Avatar: the Last Airbender? Yes, please!  In it, Sokka and Suki visit a collectable shell shop, but it's not really about shells or Sokaa and Suki -- it's about comic book collecting and how the hobby shuts girls out. Plus you get a two-page treat of Art Baltazar's He--Boy, moving his Tiny Titans shtick successfully over to Dark Horse's properties. There's also an outtake from something called "Juice Squeezers", but I was bored by this particular attempt to combine coming-of-age story with superpowers.

2. Superman: Last Son of Krypton #1. I had given up on regular DC Comics continuity some time ago, so I am surprised to learn that DC was actually cranking out good stuff as recently as this 2013 limited series. Geoff Johns and Richard Donner (yes, that Richard Donner) write the story of what would happen if Superman was given the chance to raise a baby from Krypton. Adam Kubert, doing his first art assignment for DC I've ever seen, makes it all look really good (even though I don't like how Adam draws chins).  I wish I had the rest of the series now!

1. Steam Wars #1.
SO glad I picked up this free comic from Antarctic Press. I've never been an AP fan, so it was extra impressive to see how good this steampunk reimagining of Star Wars is. It's smart, it's funny, it's simultaneously derivative yet creatively original. In some ways it improves on the original! (In this version, Luke is immediately likeable instead of whiny.) It zips through about half the plot of Star Wars: a New Hope in 26 pages. At such a breakneck pace, it must have lots of new directions planned after it covers the movies, and I hope to see them.

Ah, the best of the best!  But now to take the opposite direction...the worst of the worst...

10. Dungeons & Dragons: Infestations #1. IDW got the license for D&D around 2012 and chose to write about Eberron, one of D&D's more gonzo campaign settings.  Trying to avoid fantasy stereotypes as if they were bad things, we're treated to a Sherlock Holmes-like elf and his dwarf John Watson with tattoos and piercings.  Grr...even this Eberron setting looks more like 19th century steampunk than D&D. Very disappointing.

9. Dungeons & Dragons: Cutter #3. This time, IDW got famous D&D novelist R.A. Salvatore to write them a drow story. That's going to work out great, right? Not when your writer is still accustomed to novel pacing. Here we're treated to 22 pages of one long scene in a seemingly slight story about a girl who runs away with her father's murderously evil intelligent sword. That's why you're supposed to keep them under lock and key, Dad!

8. Checkmate! #4. This is the original Checkmate! series from DC, back in '88. It's a spy thriller where the boss looks like Alfred Hitchkock and the spies dress like superheroes and shoot harmless batons at people instead of bullets. It might have worked if the lead character here was interesting, but he's just one of many Knights in the organization and doesn't stand out. There's a more interesting back-up feature -- more interesting in that it was drawn by Don Heck, showing he still had his art chops into the late '80s -- but the whole book was frustratingly disappointing.

7. Guardians of the Galaxy (free comic book day one-shot). Can you stand the thought of Venom as a hero? Can you believe Flash Thompson as Venom?  Can you believe that the Guardians of the Galaxy is based in modern times and not the 30th century? Can you stand the costume redesigns on Drax the Destroyer and Star Lord?  Can you stand Gamora at all?  ("Most dangerous woman in the galaxy"? Nope, sorry -- that's Mantis, not this joker's daughter.) Face it, the only reason you would read this at all is for Rocket Raccoon. Why not just give him a new solo series?  *Sigh*...

6. Mighty Morphin Power Rangers (free comic book day one-shot). Thank you, Papercutz, for giving us a continuation of the original TV series that includes all the stupidity and clownishness of the original. For once, a reinvention might have been welcome.

5. Captain America: Sentinel of Liberty #10. Oh...this is why this series got canceled back in '99!  After Mark Waid left, it was turned over to hack writers and artists who didn't take it seriously. Everyone looks like a clownish ape. Cap's greatest secret fear is a fear of snails?? Yeah, I didn't think so.

4. Love and Rockets #1.  After hearing so much about the Hernandez Brothers and Love and Rockets over the years, it was a shame that this issue was both boring and impenetrable at the same time. Jaime's Hernandez's art is pretty, but his story is the boring one. I don't understand his shrieking woman and am turned off by all the obscenities. Gilbert Hernandez's story is the impenetrable one. There's a lot of screaming in this one too. And a boy grows up and...wrestles a pig. I think. There are two more back-up features, neither of which grabbed me.

3. All You Need Is Kill/Terraformers (flipbook). So this is what passes for manga these days? In the first story, the aliens are bulletproof, but if you hit them just right with an axe, you can kill them, even if you're just a skinny girl on a farm who's probably never killed anything more dangerous than a chicken before.  Right....The other half is about man's first encounter with aliens on Mars. How disappointing, that man's first encounter with aliens will be when they just casually stroll past and then start killing people.

2. Futures End #0. Ah, DC -- now this is why I abandoned you! A dark future where superheroes are being brutally and gruesomely transformed against their will into cyborgs to serve Jack Kirby's Brother Eye concept from OMAC?  Pass.  Oh, and this will bring the Batman Beyond character from the TV series into the mainstream DC universe? Double pass.

1. Banshee: Origins. So, apparently there was once a Sopranos-like TV show called Banshee, which is really disappointing because for a moment I thought IDW had somehow secured a license for Marvel's mutant superhero! Two crooks fall in love, they want out, but they can't get out, blah blah blah. Because everyone's a bad guy, why should I care? Is the bald crossdresser supposed to distract me from the endless cliches? Naw. It's simply the most disappointing comic book I've read all year. Congrats, IDW!

Tuesday, April 29, 2014

Three Magic Items

These items, written for D&D, were wasted on a Tenkar's Tavern contest.

Enlar's Disenchanting Hammer: Once there was a king who bestowed magic weapons to his most favored knights.  The most special weapons were enchanted by the Wizard-Smith Enlar, favored retainer of the king.  Enlar was proud of all his handiwork and had etched into each his personal symbol of entwined antlers.  But the day came when Enlar left the confines of his laboratory-smithy and traveled abroad, and during these travels he discovered that the king he served was not a good
king and that his knights used his weapons to commit acts of evil across the land.  Devastated, Enlar fled back to his smithy to craft one last magic item.  The hammer with which he had long used to make weapons became his last weapon, one which a champion could use to undo what he had wrought before.

Enlar's Disenchanting Hammer appears to be a black, cold iron smithing hammer with entwined antlers etched into both sides.  The 18-inch handle is an iron rod, wrapped in silver filigree on the upper half and one strip of gargoyle hide around the lower half.

The weapon is a Hammer +1, at first.  Every time the wielder hits with a natural 20 in combat, the Hammer disenchants one random magic item on the target completely of all magic, and bestows an additional +1 to hit and damage with the Hammer.  Each cumulative enchantment is temporary, lasting only 1 hour, and cannot exceed +5 at any given time.

The Disenchanting Hammer is powered by conflict and cannot disenchant by any other means, such as being touched to magic items before combat to "charge it up".

Cero's Shield of Instant Summons: Cero's Shield is a round bronze disc 30 inches in diameter, with runes of conjuration magic etched around its diameter.

The Shield is a Shield +3 in combat.  The owner of the Shield does not have to carry it with him; it can be left anywhere and magically summoned to the owner's hand with a spoken command word so long as it is within 15 miles of the owner.  In addition, the owner need merely drop or place the shield on the ground, speak a second command word, and a single being will appear in 10 minutes.  The summoned being will retrieve the shield for the owner and then serve him, exactly as one would if summoned by a Monster Summoning I spell (roll for the spell to determine the being summoned, ignoring monsters without hands).

Both special functions of the shield will only function once per day.

Janzymir's Boots of Time Jumping:  Janzymir was a patriarch of the god of time's church.  The idea of traveling faster through time consumed him, for he fervently believed that he would reach his god in this way.  He drained his temple's coffers and commissioned a host of wizards to develop such magic and, while they did not succeed to the degree Janzymir had hoped, they did create something truly novel.

Janzymir's Boots of Time Jumping appear to be a rich man's embroidered cloth indoor boots, but if held up to the light and examined closely one can see what appears to be sand flowing down through the empty space in the fabric.  This 'sand of time' cannot be shaken out of the boots by any means and any other attempt to remove it would destroy the boots.

The wearer of the Boots can, twice per day, physically make a broad jump in the boots (it does not have to be long; jumping just two ft. will do) and will the Boots to transfer him to a point in the near
future.  The wearer will skip over 1-3 minutes of game time before reappearing.

There is a danger of using the Boots too often; there is a 1% cumulative chance per time jump of the wearer being aged 1 year for every time the wearer has time jumped up to that point.

Sunday, January 26, 2014

The Curious Resurrection of the Bronze Terror

I read a lot of golden age comic books, thanks to sources like the Digital Comic Museum.  And I read a lot of racism.  Not just in the post-war depictions of the Germans and Japanese either; for my money, the most grievous offenders were the early Centaur comics. 

Which is why it struck me as unusual when Gallant Comics, a web comics team that is currently resurrecting some golden age characters now in the public domain, brought back the Bronze Terror, but changed his name to Medicine Man because they thought “bronze terror” sounded racist.  Now, the Gallant team has already done a great job with Amazing Man and I'm going to keep reading regardless, but I can't help feel they made a bad call with the Bronze Terror. 

A peculiar dynamic was going on in the golden age.  Yes, there was racism, but there was also surprising diversity, as a slew of companies all sought to distinguish their characters from each other.  The Bronze Terror was an Indian hero, but he was not even the first (which would be Mantoka, who debuted months earlier from another publisher; ironically, Mantoka was the medicine man, not the Bronze Terror).  The Bronze Terror was a completely serious character; he kicked butt and looked cool doing it.  The color bronze, to my knowledge, doesn’t even have a racist connotation.  Now, if he’d been called the Red Terror, maybe the boys at Gallant would be onto something.  Further – and maybe Indians would feel differently – but it seems to me that the traditional role of the medicine man in their culture has become a stereotype and would be more offensive than the Bronze Terror.

Nuelow Games, a repackager of golden age comics content along with bonus, related gaming material, recently released Real American No. 1, the name of which comes from the tag line on the old Bronze Terror stories.  They are short, six-pages features from 1941-42, but not devoid of substance.  While there are comical caricatures of some Indians, there are also realistic depictions of Indians, as well as a mix of realistic and caricature Caucasians.  Yes, Indians are shown walking around in 1941 shirtless and with bows and arrows, but there are other elements of the Mythic West depicted on the Caucasian side, with bad guys gambling in saloons and public hangings.

Real American No. 1, incidentally, comes with two pages of bonus gaming material.  While the stories have substance, the gaming material is disappointingly slight.  Using the ROLF rules (and adding some more optional rules, none of which are bad), it sets up a series of possible brawls on a poorly-defined mansion on an estate.  It would have been nice to get a map of the estate or at least some suggestions for how to incorporate the location into the fight scenes.     

This package contains four of the original nine Bronze Terror stories.  I like the Bronze Terror.  Time will tell if the Medicine Man also grows on me.

Sunday, December 29, 2013

Player Character Morgue: Adolphus Magnusson

My solo gaming has continued through classic AD&D modules, including the Tomb of Horrors.  Deterred by traps and unable to find their way very deep into the tomb, the PCs had to leave behind Adolphus Magnusson, trapped in the forsaken prison.

Adolphus was the highest level character I'd played in a long time, raised all the way from 1st level to 9th.  I had run his original party through Castle Blackmoor and Tegel Manor, then he joined a different group of PCs I was running through the G and D series modules.  They made it all the way to the Vault of the Drow, though they were overwhelmed by sheer numbers in the Vault and had to flee for their lives.

I even tried to get Adolphus in a non-solo game when one of my friends was running Expedition to Castle Greyhawk, but Adolphus was rejected because of some non-standard magic items.

Adolphus was fabulously wealthy and certainly didn't need to keep adventuring for a living.  But he adventured to live.  Until he died.

Character Name:  Adolphus Magnusson
Race/Sex:  Half-Elf/Male
Alignment:  Neutral
Regional Origin:  Blackmoor
Faith: Nature worship
Level/Title:  9/Initiate of the 7th Circle
Experience Points:  109,361
XP Bonus:  +10%

Strength:  15
Intelligence:  14
Wisdom:  17
Dexterity:  11
Constitution:  14
Charisma:  16

Hit Points:  52
Armor Class:  6

Special Abilities:  Druidic spells; identifies plants, animals, pure water; pass without trace at will; +2 to save vs. fire and lightning; 30% resist sleep and charm; 60' infra-vision; 1 in 6 chance to find concealed doors within 10'; 3 in 6 chance to find concealed doors if sought

Spells Typically Memorized:
1st - Detect Magic, Entangle x2, Faerie Fire, Invisibility to Animals, Locate Animals, Speak with Animals
2nd - Charm Person or Mammal, Create Water, Cure Light Wounds x2, Heat Metal, Warp Wood
3rd - Cure Disease, Hold Animal, Neutralize Poison, Stone Shape
4th - Cure Serious Wounds x2
5th - Commune with Nature

Treasure Stashed:  3,377 cp; 5,823 sp; 5 ep; 14,170 gp; 20 pp; 3 amber stones worth 10 gp each; 3 gems worth 50 gp each; 3 gems worth 100 gp each; 1 gold sickle worth 90 gp; 8 crystals worth 10 gp each; 7 pearls worth 100 gp each; 4 scrolls worth 1,000 gp each; 2 books worth 2,500 gp each; 3,724 gp in folios; 1 ruby worth 100 gp; 1 topaz worth 100 gp; 1 garnet worth 10 gp; 3 gems worth 10 gp each

Magic Items:  Silver War Hammer +2, Silver Torc of Spell Reflection (65% effective), Ring of Spell Storing (Animal Summoning I, Call Woodland Beings, Dispel Magic, Transmute Rock to Mud, Wall of Fire), Scroll of Plant Growth and Control Weather, Wooden Shield +1, Dagger +1

Other Mundane Equipment:  Leather armor, leather backpack, large belt pouch, 1 garlic bud, 1 bunch of greater mistletoe, 3 days of iron rations, 2 iron spikes

Mount:  Agamemnon, a heavy warhorse

Tuesday, November 26, 2013

Player Character Morgue: Skalar Kallionkiel

I haven't done this since 2007

I wanted to play a dwarf paladin.  The fact that the rules forbade that combination only made it more tantalizing.  When I learned that the original write-up for the paladin class in the Greyhawk Supplement made no specific reference to the "humans only" rule, I knew I wanted to play some OD&D real bad.  Lacking a game at that time, I made up a slate of new PCs -- including my dwarf paladin (I cheated and rolled 3d8 for stats -- I was going to make sure I qualified for a paladin!).  Then I went about solo gaming (which consists of rolling randomly for everything, to eliminate player knowledge from the equation).  To keep an element of danger in the game, I decided that I would not fudge any character deaths.  And so, at 4th level, my beloved and only ever dwarf paladin, bit it in mortal combat with a fire giant.  Pretty unfair, I know; there was only a random chance of the PCs running away...

Character Name:  Skalar Kallionkiel
Race/Sex:  Dwarf/Male
Alignment:  Lawful
Regional Origin:  Blackmoor
Faith:  Church of the Facts of Life
Level/Title:  4/Paladin
Experience Points:  12,000
XP Bonus:  10%

Strength:  18/73 (+3 to hit and damage)
Intelligence:  11
Wisdom:  17
Constitution:  15 (+1 hp/die)
Dexterity:  16 (+1 to hit, -2 to be hit)
Charisma:  18

Languages:  Common, Lawful, Dwarf, Gnome, Hobbit, Elf, Kobold, Goblin

Hit Points:  32
Armor Class:  3 (-2)

Money:  12 sp, 1 ep, 273 gp, 1 37 gp gem, 1 100 gp gem

Items:  Platemail armor, helmet, leather backpack, wineskin, silver cross, shortbow, quiver of 20 silver arrows, silver dagger

Magic Items:  Sword +1

Monday, November 25, 2013

A Vision for Progressive Fiction in the Superhero Genre

The fanfiction site, Altered Visions, is rebooting itself.  I contacted the editors privately to share with them what I thought would be good world-building.  It was rejected, but now I share it here, so perhaps others will profit by it someday.

Most people who know my fanfiction know I have a fondness for a) writing in past decades and b) advancing superheroes in real time.  I have a particular vision for how a superhero world would turn out by modern times and I've written a short essay about it. 

If superheroes had really been around since 1939, then the world should be about ¾ of the way to utopia by now.  By the year 2013, then, technology (boosted by super-intelligent superheroes and alien tech) should be around 2089-level tech, with androids in public service, AI computers, solar power and fusion power everywhere, magnetic rail robot cars, and inter-solar system space travel.  Some things are still off-limits for most people, like teleportation technology, that only the superheroes (and villains) have. 

Further, the superheroes should have long since given up defending the status quo and worked collectively to better the world in a liberal progressive direction – the only political direction based on wanting to help make everyone’s lives better.  Universal health care is now truly universal.  The rain forests have been mostly replanted.  Global warming has been slowed down.  There are no third world countries anymore, just developed and developing countries.  Crime is almost unheard of and when it does happen, it tends to be something BIG that only superheroes can stop.

Globalization has happened too, just because of all these global emergencies that have needed rapid responses.  There is a world currency (though many people now use microchip embedded debit cards in their hands) and the United Nations is an actual, working government with nations’ leaders serving more like state governors now. 

Man is spreading throughout the solar system, with a base on or orbiting every planet even out to Pluto.  Orbiting Saturn is Baxter Station, a scientific satellite home to Fantastic Four Inc., a hundred scientists and their families and support staff, numbering 1,000 people.  Mars has two domed cities on it.

Forget that sliding scale of history.  The Golden Age took place in the 1940s.  The Silver Age took place in the 1960s.  Mr. Fantastic was 60 in 1980 and Spider-Man was 33.  The superheroes around now are often the adult sons and daughters of the Silver Age heroes and -- because this business is dangerous – some legacy heroes are actually the third or fourth person to wear the costume. 

And these superheroes are more cooperative than ever.  The teams are specialized in function, but coordinate their efforts.  Everyone can get in touch with everyone else.  And the superhero community has a very active role in both society and politics.  These heroes are actively guiding mankind into the future.

Most supervillains from before mid-1966 are dead and the remaining ones are reformed. 

So where will conflict come from in this brave new world?  There are still haves and have-nots – though 78% of the population wants for nothing now.  There will always be people trying to make more have-nots – either by claiming political power in some country or withholding some new or developing technology that could benefit everyone – and these people are willing and able to hire old-fashioned supervillains to protect/enforce them.  By now, Earth’s superheroes have humiliated every alien empire out there.  Some aliens races have responded by trying diplomatic relations with Earth, but others are still looking to get back at Earth for past embarrassments.  And then there are ecological issues related to overcrowding -- terraforming the deserts on Earth, making Antarctica inhabitable, and living with mermen in the oceans to consider.